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I ended up having to google the solution, as did a lot of people it seems. I found the first half of the clue but could not for the life of me find the second half. I only got stumped on one puzzle in the game involving a microwave prompting me to set the timer. I decided to jump down the stairs thinking, “it can’t be that far down.” I died again – turns out it is a very long way down! When you die, the game reloads from the scene you were just in, and each scene is quite small so there is no need to manually saving your game before trying something.Īs is customary in puzzle games like this, inspecting everything will either net you an item or at least give you clues as what to do next. Another scene shows a dilapidated stairway heading downstairs, but it is dark and you can’t see the bottom. As I got closer the buzzing grew louder until I walked in front of it… boom! The light globe explodes in my face and I die from shard of glass causing me to bleed out. In the hallway, a light is buzzing and flickering. The character’s house in Shut In is filthy and falling apart. Other times, and in true inquisitive puzzle game fashion, I thought, “this is surely going to kill me, but let’s try it anyway.” Sure enough, I died a horrible death, but lessons are always learned! There were times where I did not see my demise coming, but ultimately those actions made sense. There are nods to genre classics – particularly Stanley Kubrick’s The Shining, also, of course, set in an isolated snow-bound location – but the whole sequence feels oddly half-hearted, as if it was bolted on to give what might have been a relatively subtle psychological suspense tale a late boost of commercial appeal.I got used to seeing this screen a lot, and it even has a sarcastic “yay” and exaggerated clapping to rub salt into the wounds.
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Most of the story’s credibility goes out the door with the big plot twist and thereafter the film becomes a pretty standard home-invasion shocker, with Mary pitted against a hammer-wielding psycho. But before he can start treatment, an approaching snow storm cuts off the house, leaving Mary to deal with her apparitions alone. When Mary begins witnessing the missing boy’s dead-of-night appearances, her online supervising therapist (Oliver Platt) suggests “sleep parasomnia”.
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When a troubled young boy ( Room’s Jacob Tremblay) she was treating goes missing and is presumed dead, Mary, already wracked with guilt over Stephen’s fate, becomes convinced that the boy’s ghost is haunting her house.īased on a well-regarded screenplay that was on the 2012 Black List from UK-born exec-turned-screenwriter Christina Hodson, and steered by British TV director Farren Blackburn (best known for BBC miniseries The Fades), the film builds its suspense very slowly, watching Mary’s anguish increase as she prepares to put her son in a home.
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Watts – a genre fan favourite most recently seen in the Divergent series – plays Mary, a widowed child psychologist living in an isolated (but very picturesque) New England home with her paralysed and vegetative son Stephen (played by Screen Star of Tomorrow Charlie Heaton, currently getting noticed in Netflix’s Stranger Things). The film’s style might be slightly better suited to the international marketplace, where independents will distribute during November and December. Offering little in the way of shock and gore, Shut In looks unlikely to make much of a mark with its wide November 11 US opening through EuropaCorp. Watts and a decent supporting cast lend the proceedings a bit of class, but that isn’t nearly enough to salvage this EuropaCorp/Lava Bear production. Most of the story’s credibility goes out the door with the big plot twist.
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But before long, this disappointingly limp thriller devolves into something much more generic, relying on slasher movie tropes and a wildly improbable plot twist for its effect. For a while, it looks like Shut In might develop into a vaguely Hitchcockian psychodrama with Naomi Watts standing in for one of the Master of Suspense’s frequent blonde leads.